Phantasmagoric or Psychedelic? I say Wild!

Pods 51

Phantasmagoric or Psychedelic?  People are intrigued by my art and ask me if I do psychedelics. I explain: as a child I made art similar to this, less refined because my tools were different: crayons, felt tip pens, construction paper. I adored colors that had impact and vibrated, there was no direction, my mother let us explore and no one told me do or don’t do it this way. So I let the colors come into being together like living objects. Wild!

I continued to make art the same way and did not go to college for art. I disliked school. I did not want to be contained. From the age of 4 I refused to go, plead and begged not to be sent to a place that had the sticky odors of too many people and cafeteria foods. I had little understanding of what we were doing there. The aesthetic was dismal: it was cold and the light was harsh, the windows were too high to see out of, the desks were ugly metal grey-blue legs with beige plastic formica tops that lifted up and were pitted with the marks of the previous students. The rooms were not colorless, worse yet, they were badly colored, sickly shades of greens and tans, dull peaches and obscure reds. I cannot imagine what kind of people engineered such a hideous stinky place. School left an indelible mark on me and is responsible for my becoming an iconoclast. I refused to go to college for art because I knew I would be forced to bend to the will of commercialism.

Creating the art however had all the appeal – I would simply make it – I was the engineer of my visions and dreams. Without the prodding and lecturing of the teachers I would remain free. As an adult in my thirties I finally went to college for computer science. I was old enough at that point to be settled and confident that I would retain my sense of self throughout the process. Later, in my mid-forties I took a few basic art classes. One of my professors championed my own art when he saw my portfolio. That made my decision to forget a degree in art–and I just continued my own methods.

As an artist, I consider myself an outsider, self-taught and making art according to my standard. A Wild Artist is what I call myself. Wildish: free, lush, luxuriant, organic, extravagant, primeval. The underpaintings are turbulent and loose, free of conformity, I paint with my hands and use anything at hand to distribute the color. Then come the layers. The lines of ink, more paint, more, more more. People have said, how can you be an outsider, you are so skilled and the work is so refined. They don’t see the whole process–and I am skilled. Dexterity, spatial skills, innate sense of color and balance. I cannot tell you how or why I know how to create what I do. I don’t actually care. The Art Speaks for itself. The artist is Self-taught. Driven. Compelled to create. Its non-stop–when I am forced by life to do ordinary tasks, drive or do the laundry, I wish I was painting or drawing–and use many spare moments to scratch a few lines. Many who know me, patiently overlook my tendency to draw while we talk or eat dinner. Its not that I am bored at dinner so much as I am compelled to make art. People have asked, do you have a science background. I do not. These images come from the ether, my imagination, my hands and my heart. Its untamed, yet its refined at the same time. I say its Wild!

Hiding in the Petals

Hiding in the Petals
Hiding in the Petals

I am working on the old wooden table from the Log and Stone house today. The windows are open and I am surrounded by the gardens: the birds chippering lingers on the fresh air. The drawing that I am playing with this morning is a flower somewhat like a magnolia flower, although its as folkly abstract as most of my drawings are. I so admired the large waxy magnolia blooms when I lived in North Carolina. I can imagine the little creatures shyly cloistered in the petals and making their home in the tree.

Recently I got a bottle of Dr. Ph. Martin’s Bombay India Ink in Violet, or as my friend Cleveland named it Vivacious Violet and a booklet of Strathmore Drawing paper in the 4″ x 6″ size. I thought that I would use the violet ink everyday and complete a series of 24 small drawings. I also got a bottle of green ink. So far, 3 are done and 2 are in the hands of some very special people.

 

Blue Ribbon

Blue Ribbon – 11″ x 15″ – watercolor and ink.

Image

The linework in this is extra fine and detailed and more based on geometric forms and less on natural or organic forms usually found in my paintings. The soft blue and grey background with earthy oranges and the red central place from where the drawing emits the Blue Ribbon that is surrounded by shapes consisting of fine lines. I look at it and wonder about the origin of the form, of life in general, the sea and sky, the universe. Blue Ribbon is among my top favorite pieces and prints are available.

Inklets

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“Gnomenn” 4″ x 6″ Pen and Violet Ink.
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Detail – “Gnomenn” 4″ x 6″ Pen and Violet Ink.
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in progress

These small pen and ink drawings are engaging to create.

Birdsong : Listen

998349_10151750113577392_824806561_nI found Birdsong Radio several years ago when I was in the midst of a significant life transition. Familiar music has attachment to memory that is so refined it can take us back to the first moments we heard it, who we were with and what we were doing. The changes in my life made my former musical choices obsolete, painful memories were brought to the surface and I could not find comfortable sounds except for silence. Bombarded by music that is ubiquitous now in every store, office or elevator was another discomfort. I lived near a railroad and could hear the trainwhistle at all hours when I could not sleep and felt separated and alone. To this day hearing trains reminds me of those long nights.

Nature abhors a vacuum, wrote Spinoza, and it is a quotation I treasure. I adapted to my new life and found events that would fill the void. Walking the dogs, CoraBella, Rory and Cleopatra in the park every morning was one of the most important events of the day. Walking to the sounds of nature, I realized that this was the music I could listen to and try to achieve the peace I was seeking. The music of the birds, the wind in tall rushes, cicadas, crickets, croaking frogs and nearby whinny of the horses in the fields was the morning walk symphony that I craved at home. My exploration for sounds of nature led me to find Birdsong Radio. I downloaded the mp3 and subscribed immediately and began following the station.

I played the station while I painted, sketched and sewed. The bird calls are a sweet part of the tapestry of my artistic life and much of my work is created while listening to the station. During artists meetings I played it instead of music and people commented on how much they liked it. I have no proof, but it seems that the mellow naturalsounds made the atmosphere calm and our creative ideas flowed with ease.

This week Birdsong Radio released an updated website and phone app, see the links below to participate and support their endeavor.

http://birdsong.fm (- shiny new website)
http://bit.ly/birdsongfm (- iPhone app download link)

Bessesdotter Studio at ArtsQuest

Bessesdotter At ArtsQuest Studio
Jacket and Oil Paintings

Bessesdotter’s Studio at ArtsQuest during Musikfest in Bethlehem, Pennsylvania

Listen to my interview on Musings

WDIY Kenn Michael interviewed me for Musings about my current exhibit, FLOW at the Nurture Nature Center in Easton, PA. Talking with Kenn about the work and hearing his observations was a wonderful experience.

Listen to the interview here.

Host Kenn Michael speaks with Alison Bessesdotter about her exhibit “Flow” at The Nurture Nature Center, 518 Northampton St., Easton, showing through October 1st 2013.  “Flow” The flow of water, of life: the constant movement of all things organic. The drip, the run; erosion.  These ideas are to be accentuated and enhanced by the artist’s stylistic transition from watercolor to throughout the course of the exhibition.

4th of July Galeton, PA

Black Star Spell #3Celebration of the 4th – this was painted from a memory of past holidays spent on the lake in Galeton, PA. The town has one of the best firework displays every year. We would sit on blankets lakeside in the dark and find ourselves dotted with ashes when the show was over. Yes – we were that close. The view was spectacular, ink black mountains posed against the smokey twilit sky, the fireworks extensive and bold, reflected in the dark still water of the cold mountain lake. Wherever you celebrate enjoy the splendor of the summer. To my Banana Factory friends and colleagues have a safe and wonderful holiday under the stars!

Tool Boy and Me

Alison Bessesdotter and Tool Boy

The May 2013 Lehigh Valley Style Magazine features me and Tool Boy, a studio art quilt I created last year. Tool Boy is one of the first in a series of studio quilts I call Frankenquilts. Read more…