Art Thee Purple.

"Purple - I See Your Other Side"
“Purple – I See Your Other Side”

Hastily searching for a sketchbook last week, I found a 4×6 booklet behind my leopard fabric covered chair where I sit and draw. Leafing through it, I found some fun sketches I did in February 2016. With few art tools and being winter house-bound I turned to sketching between stitching to keep my mind open. Little did I know that my purple pen drawings would be found around the same time as the passing of Prince.

Prince left us in the spring of 2016. I’m lamenting the loss of this talented artist for several reasons. He and I were of the same generation. His talent and kind nature are legendary and I admire him. His legacy will continue. Enjoy the sketches!

 

Broken Threads

A long night of breaking threads at the machine.

Tea dyed muslin under the presser foot

Needles breaking. Threads breaking. Again and again. Adjusting tension and trying little tricks to keep everything running smoothly.

It happens with hand stitching too. Knotting up, catching a thread on the back, tangling. Sometimes it’s that kind of stitching: tangling and knotting.

Learning to wrestle wrought threads.

wound tightly.

Unbound.

Loosened. Breathing.

Softness.

This is the nature of thread work. It teaches me to allow anger in and out—no withholding of breath. Letting it be its own nature. Turn off power and tidy the sewing room. Go to relax and read a bit

morning. opening the sewing desk and do my morning ritual of preparing the machine with basic maintenance. Open the bobbin case. Get the dust remover, brush and oil. Ahah! The culprit exposed in the sunlight streaming through the window. A tiny speck of shredded rayon thread is barely visible under the auto cutter. Another fine long strand is found at the bottom of the case

I remove the threads, flush with air, brush well, oil bobbin and put it all back together.

Last night I did that twice. But I couldn’t see the small specks of thread. Even with my Ott Light.

Under light of day everything is exposed and seen with clarity.

Learning balance and timing, during fatigue and frustration was not the time to problem solve. Bernina sews like herself again.

She’s Going to NYC

"She's in there Somewhere" 24" x 36" Acrylic on Canvas
“She’s in there Somewhere” 24″ x 36″ Acrylic on Canvas
"She's in there Somewhere" Acrylic on canvas.
“She’s in there Somewhere”
Acrylic on canvas.

“She’s in There Somewhere” Acrylic Painting is going to be exhibited in NYC at the Syliva Wald and Po Kim Gallery with N.A.W.A. The National Association of Women Artists. First exhibition in New York in many many years. I had a show in NYC in the early 80’s and then moved to North Carolina with my family, got married and let my art career go. It is not an unusual story for a woman to give up a career but I am thrilled to be back in the city and to be a part of a great organization like NAWA.

The piece won an award in Bucks County and sending it to New York is pretty exciting. Thanks to everyone who encouraged me to do this – as always you know who you are!

Its Just Talk

Its Just Talk Watercolor, Ink, Papyrus
Its Just Talk
Watercolor, Ink, Papyrus

Regarding Sherlock Holmes and his ignorance of Copernican theory, “What the deuce is [the solar system] to me?” he exclaims to Watson in A Study in Scarlet. “You say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.” And now that he knows that fact? “I shall do my best to forget it,” he promises.

My art is mine, its not inspired by anything in particular or anyone. Simple concept or it should be. Well just try that on in the modern world. There are labels slung at the work, me and the style. Comparisons are made with no regard to my thoughts or feelings. I prefer the enigma that naturally exists in the creation and the process. I don’t intend to create and make statements of any kind. I’m not that pretentious. I wonder who really cares about my opinion…and do I actually care to use my precious work as a tool to provide statements to the public? If you’re a long standing friend we may find ourselves discussing it but otherwise I’m likely to say a little when queried about the art I make.

The reference to Sherlock Holmes? I read Conan Doyle in my youth and the realization of what Holmes referred to in the Copernicus statement stuck with me. What do I need to know–to shape my life as I want it to be….and what do I need to forget? I don’t want to know about the art that came before me or even really of what is being created right now. Keeping it simple, I have little need to know about artists, it impedes my progress, infiltrates my brain and I fight to keep it out. I’ve been told that I’m wrong, that if I had gone to art school or college I would know that I should build on the structure of artist who created before me. Now I have to forget that too! I met Ian Frazier several times and he told me he has had a similar experience. He said the internet contains so much information its difficult to filter when doing research for his writing. I explained my Holmes theory to him and he chuckled and nodded his head.

To all who know me, please stop telling me to change my mind on this subject. I paid dearly to avoid art school. I consider myself an iconoclast and being institutionalized doesn’t work for me. While working low paying full time jobs, I painted during my precious time off. Not having knowledge of art history doesn’t make me not bright. Figuring out processes by experimentation doesn’t make my work unsophisticated. It does make me an outsider for the most part. What I didn’t get by going to college…I struggled, worked hard and experimented a lot. I found out that I am an innovator, a risk taker and improvise on every piece I make. I’m happy with my work and proud of what I do. I am pleased and humbled every time someone acquires a piece. I’m impressed with those who collect my art, as they are an extraordinary group of people.