Several new series were born as a result of doing small studies this winter. The studies are being shown this weekend as a part of exhibition containing a few watercolors and some significant works in fiber that are eco-dyed, handprinted and hand embroidered. I am an irreverent quilter and don’t follow many rules. Sometimes I experiment with fusible, battings and surface design before I quilt. The purpose of it all is to find the look, I am searching many traditional techniques and then bending them to my own style to get a texture and quality that I am not ready to define yet. I’ll know it when I see it.
Cutting on the bias, using my sewing machine, or working by hand, washing, ripping, tearing, machine thread painting, hand embroidery, framing, binding, not binding, giving structure on wood panels, using bamboo to hang work, vintage silk, found objects, eco-dyeing, tea dyeing and over-dyeing, mono-printing, heliotypes, and beading are a few of the ways I am working with fabric now.
Emerging are what I call Spirit Cloth’s…they are worked in a meditative state and result in a pure form of hand and mind being one and the same, a positive flow of the spirit of the artist.
There are also images born out of my love for the earthiness of tilling and gentle farming of grains and vegetables. The works include deep night skies and are simply stitched by hand.
Its a great time for me and my need to explore what is available to me in fiber and art. Today I am scaling up one of the series and am excited to find new ways to bring the color and stitching to life…
Valentine’s Day 2016.
This day marks the time when my love for making art results in the Spirit Cloths that are in my hands most days.
Several hours daily are going to embroidery and hand stitching. The machine comes in to do some laborious tasks. There is less quiet time, but the movement of my hands is slow and there is a zen to it nonetheless.
Once the embroidery was completed, the batting and backing attached, the machine quilting is being completed.
As a visual artist I see. Everything. Upon entering a new indoor space I want to see everything. I catch myself furtively peering but trying not to look as though I’m not looking. At. Everything. I feel it may not be polite. In spaces I visit often, the same spaces, it’s easy to get lost in observation of additions and changes. I’m not terribly interested in looking at people. It’s the shape, space and color that stimulate me, causing brain chatter. In 2014, I visited the home of a new friend in Coopersburg. She designed and built her home with her husband. She invited me to spend time looking…saying something like I imagine you want to look at things, please feel free to do that and we will talk later. What a gift. I didn’t ask her if it was obvious that my eyes wandered even though I tried so hard to focus on getting to know her. She has an easy kindness that I’ve come to appreciate. I enjoyed wandering about her home and I looked with an open heart.
With slowing time to make art, and limiting my focus on few colors and no intentional noise–no music–no voices–I hear. Everything.
Today. Rattling. Windows. West Wind. Sweeping through this end of the valley it rolls over the open cornfields. Lower Macungie is the windiest place I’ve ever lived. The house faces south and the bedrooms are like a bulwark to the west. I often wonder if this is what it’s like on the Yorkshire dales and moors.
Rory barks from his post on the balcony. I get up to see what he thinks needs attention. The squealing of the postal truck as it pulls around the bend out of view is all.
The wind is blowing and whipping, sweeping the snow across the pavement in undulating patterns. Rory stands guarding, his long coat blowing with the gusts, he turns to come inside. As he brushes past I feel the chill still in his fur. The wind pulls at the door as I let it close.
Needle back in hand my thoughts are back to the movement of the stitches, how placing the needle through and over a single thread in the weave can change the angle of a stitch slightly. Does it matter if I correct the angle. When will I stitch in a way that doesn’t matter which direction the threads go. Should I create a piece like that? What would it look like….there go my thoughts…bring them back to focus on this piece. This needle. This brown thread. The seed stitch.
There are moments I think this might be a madness, to slow time and stitch by hand when I could make a quilt in day as promised by the popular book series. No. Not madness. But it is a desire to live more fully and be mindful of what I’m doing now. Not in the past thinking of loves lost and regrets or concerns for the future.
My fingers feel fatigue, I stretch them and change projects for a bit. I pick up a larger crewel needle and perle cotton to fill in a small square in deep gold.
jonas kept me indoors and stitching while the white flakes were flurrying furiously out of doors. stitching while drinking copious cups of constant comment tea. time to think while i stitch. stitching and staying present. the needle keeps my mind fresh and fingers nimble. watch the thread, like a bell, a prayer wheel, staying with it. mother reads and cleo snores gently. rory guards our home while we sit out the storm.
moving through the piece
sharing the process
time for more tea. Thoughts come. Go. Pass through the wheels.