Roundhouse Blues

Red is not a color I typically wear or decorate with, but it is making a big splash in my stitched art. The first pieces where red started was the vintage linen tiles with vintage silk scraps and perle cotton thread keeping it all in place.

The red feels like a crisp contrast to the creamy linen with its slightly coarse texture. Slow stitching gives me a place to meditate, hands working gently to snip and stitch, it is soothing and methodical. Mudita is my 2018 meditation. Sharing the joy of others, mudita, is so vital for us as a collective. We build strength together by shouting in resounding joy–even if its silent in our meditations–like the Grinch our hearts grow and grow.

It can easily come to us to feel left out, neglected, slighted, emotionally bereft and ignored with so much clamoring for attention in the world of unease and war. How do we find a path of peace and the gift of kindness? 2017 was my year for Metta meditation–sending loving kindness to all the sentient beings of the world. Sending love isn’t too difficult until one thinks of sending it to someone who deeply hurt us. Then Metta takes on new meanings. Mudita, sharing in others joy is similar. We might be happy for those we already like or feel good about. But what about when we are confronted with the good news of competitors or those who harmed us?

To open one’s heart for others good news is not so simple when we feel badly. But changing our meditation to open ourselves to hear others good news and feel genuinely happy for them is critical for personal growth and to further peacefulness. Sharing in others Joy is my goal for this year–to stitch, paint and meditate on joy for all sentient beings.

Each of the red works are about 7 or 8 inches and will be appliquéd onto a larger cloth and then machine quilted. I am a fan of combining several techniques and am open to what might happen yet. As this piece progresses or is completed I will share it. The name filtered to me as I was deep in stitching and with mind open, it seems it wanted to be called Roundhouse Blues.

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Listening

As a visual artist I see. Everything. Upon entering a new indoor space I want to see everything. I catch myself furtively peering but trying not to look as though I’m not looking. At. Everything. I feel it may not be polite.  In spaces I visit often, the same spaces, it’s easy to get lost in observation of additions and changes. I’m not terribly interested in looking at people. It’s the shape, space and color that stimulate me, causing brain chatter.  In 2014, I visited the home of a new friend in Coopersburg. She designed and built her home with her husband. She invited me to spend time looking…saying something like I imagine you want to look at things, please feel free to do that and we will talk later. What a gift. I didn’t ask her if it was obvious that my eyes wandered even though I tried so hard to focus on getting to know her. She has an easy kindness that I’ve come to appreciate. I enjoyed wandering about her home and I looked with an open heart.

 

spiral in stitch

With slowing time to make art, and limiting my focus on few colors and no intentional noise–no music–no voices–I hear. Everything.

Today. Rattling. Windows. West Wind. Sweeping through this end of the valley it rolls over the open cornfields. Lower Macungie is the windiest place I’ve ever lived. The house faces south and the bedrooms are like a bulwark to the west. I often wonder if this is what it’s like on the Yorkshire dales and moors.

 

blue fields

Rory barks from his post on the balcony. I get up to see what he thinks needs attention. The squealing of the postal truck as it pulls around the bend out of view is all.

The wind is blowing and whipping,  sweeping the snow across the pavement in undulating patterns. Rory stands guarding, his long coat blowing with the gusts, he turns to come inside. As he brushes past I feel the chill still in his fur. The wind pulls at the door as I let it close.

Needle back in hand my thoughts are back to the movement of the stitches, how placing the needle through and over a single thread in the weave can change the angle of a stitch slightly. Does it matter if I correct the angle. When will I stitch in a way that doesn’t matter which direction the threads go. Should I create a piece like that? What would it look like….there go my thoughts…bring them back to focus on this piece. This needle. This brown thread. The seed stitch.

There are moments I think this might be a madness, to slow time and stitch by hand when I could make a quilt in day as promised by the popular book series. No. Not madness. But it is a desire to live more fully and be mindful of what I’m doing now. Not in the past thinking of loves lost and regrets or concerns for the future.

My fingers feel fatigue, I stretch them and change projects for a bit. I pick up a larger crewel needle and perle cotton to fill in a small square in deep gold.

 

hand and machine work